Aesthetically Pleasing Moments From Video Game Football History #9

Last time in APMFVGFH we looked at one of our favourite childhood SNES games here at  Pyro On The Pitch, with the delicious colourful glory of 1994’s FIFA International Soccer. We now rewind the clock 4 years before to 1990 and a NES game that shares a similar place in our hearts.

Yes, here we have Nintendo World Cup for the Nintendo Entertainment System, released in 1990 by the video game developer Technōs Japan Corp. Brilliantly, it is a localisation of “Nekketsu High School Dodgeball Club: Soccer” (or “Hot Blooded High School Dodge Ball Club: Soccer Edition”) released for the Family Computer, which was centered around completing high schools rather than international football teams.

The game opens with the slick screen above, featuring the Nintendo World Cup trophy itself. Like last time, the theme music is again iconic to us who remember it from our youth, but even to fans of video game music in general it is worth a listen through the link at the end of the article.

The team select screen is simply white text over the black background, but of course this is NES so it would be a bit much to expect anything more. Lists of countries are one of our favourite things anyway and there are 13 here to choose from. With the 1990 World Cup a month away when the game was released,  non-qualifiers France, Mexico and of course Japan are included, while eventual quarter-finalists Czechoslovakia, Ireland and Yugoslavia miss out. Despite being two years away from playing an international as a independent state, Russia are also listed rather that USSR:

The game itself is quite a nice chunky affair, with a whole cast of hilarious characters in the players who all appear ready to start boxing. In fact we must come back some day and do a full photo-essay on every player we can find in the game:

The kits are block colours and as you can imagine are far from accurate. Some fit basic familiar formulas such as orange for the Dutch, blue for Italy and a kind of dark yellow for Brazil (see above), but France wear green and Cameroon are in a bold purple affair (see above). The shirts themselves seem to be in fact vests as no sleeves are visible.

Along with a basic radar and count down timer, the boxes at the bottom of the screen helpfully show your team mates communicating with each other:

As you can see above there is a player laying in discomfort on the grass, clearly having been wiped out  in a collision with the bad-ass in the shades clearing the ball. It is appropriate that the players look like they are ready to box, as it is quite a violent game. Eyes regularly bulge disturbingly from heads of victims of crunching challenges, as they fly helplessly into the air:

As far as we remember there is no ref and so no fouls or free kicks. This means that particularly aggressive matches can leave bodies of injured players strewn all about the pitch like a war-zone.

You also may have noticed the ethnic differences of the players, which was quite a step in football game graphics for the team. England – wearing quite a nice navy strip with what actually appears to be red trim – are uniformly white blonde in true Anglo-Saxon fashion:

Another blonde is the woman who appears at half time in nothing but a red bikini. We have no idea what this has to do with football. At the time she probably would have been referred to as a “babe”, but progressively she appears to have ample thighs and hips:

At the end of the match, which as you can see can be won in quite a convincing fashion, your successful squad swaggers smugly across the screen with a couple of them carrying towels (of course if they lose they are dejected). The third player from the right looks furious about something, which considering the scoreline may well have stemmed from a personal slight:

Besides violence, strange reality bending occurrences are also common in the form of super shots. Here one crouching  player uses the power of super position to create two balls from one, as a red haired French opponent climbs on his head:

Doubtlessly black arts were employed to create these unnatural abominations…:

Some of which were basically weapons of mass destruction:

That was scary. But more soothing is that the game is played on a beautifully mowed green pitch. It’s not the only option though, as a selection of surfaces are available:

The concrete option creates the impression of some sort of nightmare world devoid of most matter:

The soil pitch contains a number of rocks, adding to the potential for injury:

Lastly, we come to the ultimate aim of the game: to win the Nintendo World Cup of course. The player must beat every other team in a row, with the standard of opposition gradually increasing. But before each round is the real highlight of Nintendo World Cup in the graphic that is used to represent each location. Famous landmarks include Mount Fuji, the Arc de Triomphe, Big Ben, New York City, the Colosseum, and the landscape of Patagonia for Argentina. Cameroon, meanwhile is represented by a couple of huts on the planes, with a stereotypical wild west and cactus scene apparently being the most apt thing available for Mexico.

In fact here we have each screen, apart from Brazil who were the team being played as:

Great stuff, although we’re slightly confused as to why the font is a different colour for the USA game. Having made it to the final and winning, your team is presented with the Nintendo World Cup trophy by a bald man who looks suspiciously similar to the half-time bikini woman. With the amazing little stadium finally being shown, it is also our fist time seeing fans in the background, which is good to get:

After getting the trophy, everybody smiles in anime fashion as the national flag is hoisted and the “president” claps

Considering the Japanese origins of the game, it is not surprising that there are many features of this game that are reminiscent of anime, and which probably wouldn’t have made it into a western game such as the violence and the woman. We end with one last look at the ground as the sun is setting, the stands now deserted and silent, and a lone ball sits reminding us of the epic journey we have come on:

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Cold War Classic #8: Finland vs East Germany, 1986

Our regular guest series over on MuseumOfJerseys.com is back, with installment number eight of the Cold War Classic. In each edition we usually discuss a vintage east vs west international matchup from the Cold War era, specifically relating to the amazing and fascinating kits of the time and their evolution. Detailed backgrounds are included, and all retro kits relevant to the story are expertly illustrated in glorious colour by MOJ top boy Denis Hurley. This time we look at branding and sponsorship on national team jerseys and focus in on two great nations – one which continues to exist to this day.

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Cold War Classics no. 8 – Finland v East Germany, 1986

…the brand we are talking about is of course adidas, which by the end of the era was being worn by the international football teams of every country in the eastern bloc. This apparent juxtaposition seems to prove that links to the west were more acceptable than may have been perceived, at least on state level, and that capitalist practices such as shirt branding were apparently compatible with communist ideals (even if trefoils were half-heartedly covered or removed at times). In retrospect, the adidas trend ties in with the eventual fall of communism in Europe, as, logically, they would not have been needed if all was going positively on that side of the Iron Curtain.

We have theorised before on how the need to realistically compete at the highest level, including when it came to kit and equipment, eventually trumped any ideological loyalty. Plus of course, there is the money. Adidas’ three stripes had started to appear on national teams’ kits of the region by the 1974 World Cup, with Poland, Yugoslavia, and Bulgaria all donning the distinctive feature at the tournament. The Poland away shirt even displayed a trefoil too. Czechoslovakia were next in 1976, followed by Hungary, the USSR, Romania and Albania in the following years.

The last domino to fall was East Germany…

Read on

 

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International Duty – Club Banners At National Team Games #4 (Gallery)

It’s time for another edition of the series where we look back to an era when supporters were often more likely to represent their local side when the national team was in town than the national team itself.

Italy vs Belgium, friendly, 1996
Vecchia Guardia” and other groups of U.S. Cremonese:

Germany vs Ireland, friendly, 1994
Bad Bramstedt” (region) of HSV Hamburg:

Brazil vs Japan, Olympic Games 1996
Santos FC and Cruzeiro:

Argentina vs Uruguay, World Cup 1986
La Plata FC and Boca Juniors:

Luxembourg vs Greece, World Cup Qualifier, 1993
Allez-Diddeleng“, F91 Diddeleng (aka F91 Dudelange)

***For all installments of “International Duty”, click here***

What Football Is Supposed To Look Like #5 (Gallery)

We are back with another visually delicious gallery of the interesting sights and general old school greatness, that that at one point made football magic.

Classic post-communist/pre-modern ground with fence, Lithuania vs Italy, European Championships Qualifier, 1995:

Random mid-match pyro, Italy vs Portugal, World Cup Qualifier, 1993:

Plethora of reporters and other individuals at pitchside, Chile vs Uruguay, Copa America, 1983:

Classic graphics and sparsely covered terraces, Norway vs Denmark, friendly, 1986:

“…anyhow have a Winfield” and running track, Australia vs Israel, World Cup Qualifier, 1985:

“DAILY POST”, Wales vs Czechoslovakia, World Cup Qualifier, 1977:

“FALK”. Classic graphics, hoardings and stadium, Austria vs Brazil, friendly, 1973:

Communist-era athletics bowl, classic “R” graphic, sparsely covered terraces and seemingly recorded through a spy camera, Poland vs Greece, friendly, 1978:

Aesthetically Pleasing Moments From Video Game Football History #5

We had originally planned on only including one picture from this episode’s featured video game, which we had screen grabbed a while back. But upon re-review of the YouTube video, it quickly became apparent this would have been very wrong.

That game is 1992’s Super Soccer for the Super Nintendo, which we did not own. But we did just realise that it’s been starring us in the face for months as it’s featured on an original SNES poster we have on the wall, having been part of Nintendo’s European SNES launch lineup in order to cash in on that soccer craze everybody was talking about.

The game intro starts with some delightfully classic and hectic SNES music which could have been straight from the Street Fighter 2 cutting room floor (if you could actually somehow psychically cut 16-bit music with a blade and leave some of it on a floor). As it starts we also get the following ominous message flashed on screen:

Who is this mysterious “He”? Is it God himself? Perhaps a critically acclaimed, multilayered, long-form career mode transcending clubs, countries and dimensions explains all.

Before we have time to think too hard though, a few cool images flash up recreating a scene from the 1990 World Cup final between West Germany (reunified by the time the game came out) and Argentina, but in dramatic darkness:

The German is of course a dashingly handsome, blonde man as you’d expect. His Argentinian opponent however, who is quite gangly and awkward, possess hair and skin colour suspiciously quite unlike any of his real world counterparts.

Upon closer inspection, the kits are fairly accurate albeit with 2 stripes instead of 3 on the shirts and Argentinian shorts, which is fair enough. The West German shirt “ribbon” is especially well done. However, for some reason the crest, “trefoil” and shoulder stripes came out blue giving the effect of some sort of West Germany-Olympique Marseille hybrid team, which I would now like to be called Western Olympic (Fr: Olympique Occidental ; Gr: Western Olympisch).

The other glaring issue is the blatant shirt, shorts AND sock clash that is going on here, which for one reason or another the ref has decided to allow happen. Surely a local strip could have been at least sourced at the last minute if no other option was available, ala France vs Hungary at World Cup ’78.

The German apparently rounds his inept opponent with ease and leaves him seething on the ground. At this point we get the first animation of the game as he strikes the ball and it comes directly towards the viewer, an effect which would have undoubtedly left ignorant 19th century folk clutching at their faces in a desperate act of defence. Luckily, now we know it’s just a game and so I was not shocked.

After the main menu there is another lovely graphic while selecting player mode; a Brazilian in action clearly decked in a Topper made kit, c.1986:

But the kit accuracies end here. The in-game kits are of course extremely simplified compared to the above static images, but in the team select preview we see that the developers have seemingly given Belgium new maroon shirts with sky blue vertical stripes on the torso. Red is retained for the shorts and socks though, creating a totally jarring look that will have no doubt been complained about by both fans and kit connoisseurs alike, virtually speaking.

The players stances indicate that they are ready for fighting in 1950’s America; that kind of thing always being always a plus and thankfully all of the national flags on show are relatively close to real life. The playable teams are basically the last 16 of the 1990 World Cup but with France, USA and Japan in place of Spain, Costa Rica and Czechoslovakia for obvious, but soul destroying, marketing reasons.

Back to the kits and the Belgium shirt change is tame in comparison to what was happening in the Balkans. Perhaps due to ethno-political conflicts in the region limiting supplies of material in the national colours of blue, white and red, Yugoslavia make an appearance eccentrically clad in electric green with black stripes, shorts and green socks. It’s like a forgettable Celtic third kit from 2013 or something.

Justifiable, spontaneous rioting would have surely broken out in several major cities upon the announcement of this kit, uniting broken communities and once again proving football as a vital catalyst for world peace. FIFA(TM) World Peace 2018(TM), sponsored by Kodak(TM).

Lastly for this entry, we see the stocky Italian number 10 Primo has scored for his country and is celebrating. But above him is an image of what appears to be the opposition’s supporters, because they are not looking like they are celebrating with him:

Some have their arms raised but I think it’s more in an angry, fist shaking way, directed squarely at the this flamboyant, Latin gentleman who has just ran past them in arrogant, continental jubilation.

On closer inspection the crowd is nearly entirely, young, smartly dressed men, stood on a terrace with not a team scarf or replica shirt in site and a sinister pitchside fence containing them. Yes, Primo is celebrating on front of a massive 1980’s casual firm.

There actually are a few grandmotherly types in among them, but fair dues they look as up for a row as anyone.

YouTube Link

What Football Is Supposed To Look Like #3 (Gallery)

Our now regular look back on the golden days of yore.

***Click here for Part 1 and here for Part 2***

“Hollywood”, Brazil vs Finland, Friendly, 1986:

Ireland away to Luxembourg, European Championships Qualifier, 1987:

Turkey kits, Turkey away to Italy, Friendly, 1994:

West German boys in green securing the tunnel for West Germany boys in green and Swedish boys in Yellow, West Germany vs Sweden, World Cup 1974:

Classic fencing and (possible grassy knoll) terracing, Austria Vienna vs Laval, UEFA Cup, 1983:

“AiR B’A’RON”, Germany vs Italy, Friendly, 1994:

Packed end and banners, Belgium vs Netherlands, World Cup Qualifier, 1985:

Ticker-tape and confetti pitch, Brazil vs Argentina, Copa America, 1983:

Classic graphics, Norway vs Netherlands, World Cup Qualifier, 1992:

Gargantuan Aztec Stadium, Mexico vs Belgium, World Cup, 1986:

White pitch, orange ball, blue vs red, Arminia Bielefeld vs Bayern Munich, Bundesliga,1981/82:

Supporters safely packed to the cage, Italy vs Malta, European Championships Qualifier, 1987:

International Duty: Club Group Banners At National Team Games #2 (Gallery)

In this series we take a look at the days when club colours were nearly more likely to adorn the stands than that of the country at some international games. For part the previous installment, click here.

Chile vs Brazil, World Cup Qualifier, 1989:
“Barra Juvenil” of Deportes Valdivia

Italy vs Wales, friendly, 1994:
“Freak Brothers”, “Fedayn”, “Brigate” and others of Ternana


Noteworthy: Like with Perugia as seen in International Duty #2, hammer and sickle and other left wing symbols appear at an Italy game:

Noteworthy 2: Apparently Italian TV decided that Wales flag was that of an inversed Scotland flag:

Poland vs Norway, World Cup Qualifier, 1993:
Banners of Bałtyk Gdynia, Lech Poznan and other Polish clubs

Germany vs Italy, friendly, 1995:
“Blue Boys” (club unknown), “Red Munichs” of Bayern Munich, “VfB Fans Gerlingen” of VfB Stuttgart, and others

Italy vs Croatia, European Championships Qualifier, 1994:
“Fossa”, club unknown (game in Palermo):

Pyro On The Pitch #7: Brazil vs Chile, World Cup Qualifier, 03/09/1989

Over time, World Cup qualification in South America has been consolidated into a pretty cool and unique system that sees all countries play each other twice in a league format. The top four sides earn qualification and the fifth advances to an inter-continental play-off. Before this, for the ’94 campaign when the World Cup had less teams, it had been two groups of four and five teams with three automatic qualification spots along with the play-off for the next best side.

But before THAT, for 1990, it had been three groups of three with only two guaranteed qualifying places and the play-off for the worst group winner. It was this system that saw Brazil face Chile in the last game of qualification in Group 3 on 3rd September, 1989. With the sides even on points, a spot in the following year’s World Cup was on the line.

Background:

The previous meeting in the group between the two sides had taken place less than a month earlier in Santiago and had been marred by a controversial Chilean equaliser in the 81st minute. After the Brazilian goalkeeper apparently holds on to the ball for too long, an indirect free kick is awarded inside the box and Chile quickly take advantage of the confusion to score:

In a classic, old school South American scene, pandemonium reigns on the touchline with a heard of generals (I’m just going to say they were all generals) and of course journalists surrounding an incensed Brazilian management team, and I think there’s a FIFA official in there somewhere:

The last competitive game between the two nations before that was also an embarrassment for Bazil, with a 4-0 Chilean victory in the 1987 Copa America:

The Match:

So all this made for an extra spicy occasion for that crucial last game of Group 3 in ’89, as a nauseating 141,072 spectators filled (well, not even filled) the world famous Estádio do Maracanã:

As was more common in those days, supporters of local sides proudly display their clubs colours rather than Brazilians flags in a move that would absolutely baffle some modern football fans:

Due to superior goal difference, a draw would do Brazil to go through and they increase the likelihood of this by going 1-0 up on the 49th minute to much jubilation:

With time running out for Chile, a commotion can suddenly be heard from the crowd in the 67th minute as the ball is being played around the Chilean half. The camera cuts and we see that Chilean goalkeeper Roberto Rojas is writhing on the ground clutching his face with smoke billowing around him like a literal smoking gun. It seems apparent that some pyro has indeed been thrown on the Maracanã pitch:

Roajas teammates surround him in concern and gesture in dismay at no one in particular:

As the Chilean physio tends to the injured party, one of the other players performs a staple of the classic, angry athlete with an “up yours” gesture towards the offending supporter, or maybe at Brazil in general:

An action replay (in this case a supporter action) shows the offending flare, whitish green in colour, fizzing away. Unfortunately they weren’t quick enough to catch the actual moment of impact but this is good enough for me:

After some moments of deliberation, the referee makes the decision to abandon the match as Rojas is carried off with a bloody face. As this was in the days before stretchers were invented, his team mates carry him in a huddled mass as if he was a martyred comrade in a depressing Middle Eastern conflict:

Naturally the crowd are not at all happy and quickly become pensive, as the implication is that the game will now be awarded to Chile, meaning qualification for them and an unthinkable elimination for Brazil. The Chilean team disappear down the tunnel (which is actually more like a big hole at the side of the pitch) surrounded by the press, apparently on their way to the World Cup in Italy:

But something clearly wasn’t right. Any logical thinking person will have wondered why an attack would have occurred by a Brazilian, knowing it may well disrupt the match and Brazil’s qualification hopes, when Chile would have needed two unlikely goals at the time to knock Brazil out. And lo and behold, shock horror, after an investigation it turns out the whole thing was a ruse. Through video evidence it was revealed that the flare never actually hit Rojas, who feigned injury and cut himself with a razorblade hidden under his glove in a move straight out of a worked professional wrestling match.

A treacherous Brazilian named Rosemary had been had been hired by Chilean manager Orlando Aravena and team doctor Daniel Rodriguez to participate in the cunning scheme. How she was acquisitioned is not known (well, I mean by me, somebody knows), but she was perhaps chosen on the basis of her excellent throwing skills, as despite not exactly hitting her target it was one hell of a shot. So maybe there was some sort of trial under the guise a free public flare throwing exhibition, used as a recruiting scheme by Chileans who had infiltrated Brazilian society.

With the brazen plan having backfired embarrassingly, the game was forfeited as a 2-0 victory to Brazil while Chile were punished with expulsion from the next World Cup qualifying campaign, along with lifetime bans for Rojas, Aravena, and Rodriguez. But the incident shows that by the late 1980’s, the social phenomenon of football crowd trouble was so fully woven into the fabric of society where the game was popular, that it would inevitably be subverted and used as a tool by some within football themselves. Corruption like this is of course usually the result of a hideous lust for profit, which would have been plentiful if the desired goal of World Cup Qualification had been achieved.

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What Football Is Supposed To Look Like (Gallery) #1

Some classic grounds, shirts and general aesthetics of what football used to be.

Sand dunes, a car park, unorthodox ground sectioning, other random stuff laying around (handy for a riot) and a beautifully filthy pitch at Stamford Bridge, Chelsea vs West Ham, Division 1, 1986:

Away shirt of vintage post-Cold War side Representation of Czechs and Slovaks vs Wales, World Cup Qualifier, 1993:

Ireland away to Northern Ireland, World Cup Qualifier, 1988:

Classic advertisements, Brazil vs Chile, Friendly, 1985:

Brentford FC vs Blackburn Rovers, FA Cup, 1989:

Malta score away to Hungary, World Cup Qualifier, 1989:

“English Supporters Please Remain In This Stand”, England away to Luxembourg, European Championships Qualifier, 1983:


(Taken from Pyro On The Pitch #4)

Dutch flags, Netherlands vs Greece, European Championships Qualifier, 1987:

“HOOLIGANS”, Italy vs Scotland, Friendly, 1988:

Armed guards behind the goal, Ecuador vs Romania, Friendly, 1984: